[{"_1":2,"_259":-5,"_260":-5},"loaderData",{"_3":4,"_16":17},"root",{"_5":6,"_7":8,"_9":8,"_10":8,"_11":12,"_13":14},"isLoggedIn",false,"avatar","","name","slug","expiresAt",0,"settings",{"_15":6},"fadeCovers","routes/_app.pelicula_.$slug.extras.$kind",{"_18":19,"_201":233,"_258":254},"movie",{"_20":21,"_22":23,"_24":25,"_26":23,"_27":28,"_29":30,"_31":32,"_33":34,"_10":35,"_36":37,"_38":39,"_40":-5,"_41":42,"_43":-5,"_44":-5,"_45":-5,"_46":47,"_48":49,"_50":51,"_54":55,"_57":58,"_65":66,"_71":72,"_201":202,"_221":222,"_227":228,"_229":230,"_231":232},"id",3299,"title","Roma","year",2004,"originalTitle","runtime",155,"color","Color","rating",7.38,"finished",true,"roma","imdbId","tt0383862","synopsis","La irrupción del periodista Manuel Cueto en la vida del escritor Joaquín Góñez, a instancias de la editorial para la que Joaquín está escribiendo su último libro, provocará un desasosiego en la solitaria vida del escritor, aislado del mundo y huidizo de sus propios recuerdos.
Acostumbrado a la soledad de los últimos años, el encuentro con el joven periodista le despertará emociones olvidadas que le transportarán a las décadas de los cincuenta y sesenta, en pos de su niñez y sus locos años de juventud vividos en Buenos Aires.
Los errores propios de quien comienza a experimentarlo todo en la vida; el recuerdo de los amigos; la importancia de la lealtad; la influencia del cine y el jazz; el sabor del primer amor y la experiencia de otros muchos; y la íntima relación que guardó con sus padres y, en especial, con su madre, ROMA, una mujer inteligente, fuerte, comprensiva y comprometida con los ideales de juventud de su hijo le llevarán a reflexionar sobre la influencia de la confianza que su madre depositó en él en su juventud.
A ella, sin duda, Joaquín le debe el haber sido siempre un espíritu libre, bohemio, fiel a sí mismo y a los ideales que juntos, un día, al calor de la memoria del padre, soñaron. Y es precisamente el recuerdo imborrable de Roma el que despertará en Joaquín el deseo y la impaciencia por recuperar todo lo que hasta ese momento creía perdido.","originalReleaseDate","spainReleaseDate","1-oct-2004","usaBoxoffice","spainBoxoffice","pressbook","ratingCount",23,"soundtracks",[],"countries",[52,53],"Argentina","España","genres",[56],"Drama","image",{"_59":60,"_61":62,"_63":64},"extraLarge","https://assets.cineol.net/elupwrjbzgggg34m3csreuy0apfa","large","https://assets.cineol.net/0s0kf2ek29s2ayww6flkg5dxt15i","medium","https://assets.cineol.net/uqdirm2fkavei17r5wnt12img9w5","backdrop",{"_67":68,"_69":70},"desktop","https://assets.cineol.net/9oaao560r8z251fucmnmivjjl9pg","mobile","https://assets.cineol.net/rjvn7go5g890kfdu6qz7g2hwdqx9","cast",{"_73":74,"_85":86,"_93":94,"_95":96,"_112":113,"_193":194},"directors",[75],{"_76":8,"_20":77,"_9":78,"_10":79,"_36":80,"_81":82},"info",19383,"Adolfo Aristarain","adolfo-aristarain","nm0034899","images",{"_83":-5,"_84":-5},"photoDesktop","photoMobile","cinematographers",[87],{"_76":8,"_20":88,"_9":89,"_10":90,"_36":91,"_81":92},948,"José Luis Alcaine","jose-luis-alcaine","nm0003900",{"_83":-5,"_84":-5},"composers",[],"writers",[97,100,106],{"_76":98,"_20":77,"_9":78,"_10":79,"_36":80,"_81":99},"Historia y guión",{"_83":-5,"_84":-5},{"_76":8,"_20":101,"_9":102,"_10":103,"_36":104,"_81":105},5932,"Mario Camus","mario-camus","nm0133426",{"_83":-5,"_84":-5},{"_76":8,"_20":107,"_9":108,"_10":109,"_36":110,"_81":111},19388,"Kathy Saavedra","kathy-saavedra","nm0754428",{"_83":-5,"_84":-5},"actors",[114,122,130,138,146,153,161,169,177,185],{"_76":115,"_20":116,"_9":117,"_10":118,"_36":119,"_81":120},"Manuel Cueto",3686,"Juan Diego Botto","juan-diego-botto","nm0098709",{"_83":121,"_84":121},"https://assets.cineol.net/dgryty47iocizb76urinsdls7cic",{"_76":123,"_20":124,"_9":125,"_10":126,"_36":127,"_81":128},"Joaquín Góñez",5310,"José Sacristán","jose-sacristan","nm0755366",{"_83":129,"_84":129},"https://assets.cineol.net/trwu36q4eivd7r21pp62dgk60xk4",{"_76":131,"_20":132,"_9":133,"_10":134,"_36":135,"_81":136},"Roma Di Toro",19384,"Susú Pecoraro","susu-pecoraro","nm0669789",{"_83":137,"_84":137},"https://assets.cineol.net/qqb5cavlonzfbapdhjq9rcjziywe",{"_76":139,"_20":140,"_9":141,"_10":142,"_36":143,"_81":144},"Áteo Di Toro",19385,"Vando Villamil","vando-villamil","nm0897846",{"_83":145,"_84":145},"https://assets.cineol.net/xaaq5wjib2n0asr5ayithf6jvqag",{"_76":147,"_20":148,"_9":149,"_10":150,"_36":151,"_81":152},"Joaco",53618,"Agustín Garvíe","agustin-garvie","nm1693694",{"_83":-5,"_84":-5},{"_76":154,"_20":155,"_9":156,"_10":157,"_36":158,"_81":159},"Reneé",19386,"Marcela Kloosterboer","marcela-kloosterboer","nm0460002",{"_83":160,"_84":160},"https://assets.cineol.net/zvdf0xrrzrqiwi6ay8pdemzjy0jl",{"_76":162,"_20":163,"_9":164,"_10":165,"_36":166,"_81":167},"Guido",19387,"Maximiliano Ghione","maximiliano-ghione","nm0315784",{"_83":168,"_84":168},"https://assets.cineol.net/am1ym2qxgo4kka3wtmi6uywg3cfg",{"_76":170,"_20":171,"_9":172,"_10":173,"_36":174,"_81":175},"Alicia",9232,"Marina Glezer","marina-glezer","nm0322741",{"_83":176,"_84":176},"https://assets.cineol.net/bf2onsjlxkyl2cnkvp9oxq6t9l93",{"_76":178,"_20":179,"_9":180,"_10":181,"_36":182,"_81":183},"Editor",426,"Alberto Jiménez","alberto-jimenez","nm0319850",{"_83":184,"_84":184},"https://assets.cineol.net/dpq1xlqo17quaaflxulwbt7cgfxv",{"_76":186,"_20":187,"_9":188,"_10":189,"_36":190,"_81":191},"Portera",6184,"María Galiana","maria-galiana","nm0302061",{"_83":192,"_84":192},"https://assets.cineol.net/c0ote59i4c42wv8ap9mkqhmp6npo","producers",[195],{"_76":8,"_20":196,"_9":197,"_10":198,"_36":199,"_81":200},430,"José Antonio Felez","jose-antonio-felez","nm0299642",{"_83":-5,"_84":-5},"extras",{"_203":204,"_209":210,"_213":214,"_215":216,"_217":218},"curiosity",{"_205":206,"_207":208},"total",4,"example","Juan Diego Botto aceptó el proyecto sin ni siquiera leer el guión.","epicPhrase",{"_205":211,"_207":212},3,"¿Quieres una síntesis? Mi padre había vivido para mí, mi madre vivía para mí y yo vivía para mí (Joaquín Góñez)","postCredits",{"_205":12,"_207":-5},"goof",{"_205":12,"_207":-5},"cameo",{"_205":219,"_207":220},1,"Adolfo Aristarain, director de la película, aparece sentado detrás de Juan Diego Botto en el vuelo transoceánico.

","review",{"_223":224,"_225":226,"_10":35},"body","Dijo Ricardo Darín en una entrevista que, ya que el cine argentino no tenía los recursos de otras industrias, sus efectos especiales eran los sentimientos. Su declaración no podía tener más sentido dada la ola de nuevo cine argentino que nos está llegando, películas llenas de nostalgia, sensibilidad, fragilidad y crudeza, directo a donde más duele.","headline","Cine argentino en estado puro","snapshots",[],"createdAt","2024-03-31T08:24:23Z","updatedAt","2024-12-22T09:56:24Z",{"_201":234,"_250":251},[235,241,244,247],{"_20":236,"_237":238,"_239":203,"_240":208,"_10":35},6829,"contentType","Movie","kind","description",{"_20":242,"_237":238,"_239":203,"_240":243,"_10":35},6830,"La película es una especie de semibiografía del director Aristarain en la que éste homenajea a su madre.",{"_20":245,"_237":238,"_239":203,"_240":246,"_10":35},13360,"Joaco y sus amigos van al cine a ver Las Uvas de la Ira (John Ford, 1940)

",{"_20":248,"_237":238,"_239":203,"_240":249,"_10":35},13361,"En una de las paredes del apartamento hay colgado un poster de la película Jules y Jim (François Truffaut, 1961)

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